USA: Adam Green, Joe Lynch, Adam Rifkin and Tim Sullivan, 2011
IMDB reference
Seeing as I love a good anthology horror film and reflecting on what a rarity modern portmanteau movies are I was gutted to miss out on this at last year's FrightFest. Having now seen CHILLERAMA I realise my folly in thinking this might have been worth missing the last train home for and my condolences for those that did brave the twilight screening. This just might be my biggest disappointment of the entire festival.
Things get off to a rather spirited start with a suitably grim title sequence but any gothic mood is almost immediately undone by a painfully laughless and puerile opening scene shot in lifeless black and white photography. This soon skews into a colorised framing story set at an old fashioned drive-in theatre populated by irritatingly vapid characters who take turns to deliver forced cine-literate lines that will make your heart sink.
All pretence that CHILLERAMA might actually equal the omnibus films from which it is derived is soon dispensed with as the words 'Wadzilla' appear onscreen. Aiming somewhere between the humour of the giant Boob running amok in Woody Allen's EVERYTHING YOU ALWAYS WANTED TO KNOW ABOUT SEX BUT WERE AFRAID TO ASK and the nostalgia of fifties SF B-movies, 'Wadzilla' succeeds in raising a chortle but overstays its welcome all too soon. Painfully, one note the gags run dry well before the short running time.
Next up is the amateurish tedium 'I Was Once Teenage Warebear'.
Whatever good feeling 'Wadzilla' managed to raise in its audience this crass comedic farce soon replaces with fatigue as the wheels fall off this segment pretty much as soon as it begins. Thankfully, the stupid but entertaining 'Diary of Anne Frankenstein' soon arrives and saves this mediocrity from being a one-star film.
Sadly though, the tired closing 'Zom B Movie' which brings this anthology to a laboured close epitomises the lacklustre approach of CHILLERAMA. Devoid of genuine scares, laughs or ideas the filmmakers stubbornly go for gross out per-pubescent cock and fart jokes ad nausea until you begin to appreciate why so few horror anthologies are now made.
The Count's Verdict: If you've the appetite for horror anthologies you'll check this out. Just go in with your brain in your ballsack and an expectation only that CHILLERAMA will pass the time.
Showing posts with label 2011 (UK ) Releases. Show all posts
Showing posts with label 2011 (UK ) Releases. Show all posts
Thursday, 16 August 2012
Tuesday, 22 May 2012
Thursday, 3 May 2012
Friday, 27 April 2012
Sunday, 22 April 2012
Saturday, 21 April 2012
Thursday, 19 April 2012
Sunday, 15 April 2012
Sunday, 18 March 2012
Saturday, 17 March 2012
Saturday, 3 March 2012
Saturday, 25 February 2012
Thursday, 9 February 2012
A SEPARATION *½
Original Title: Jodaeiye Nader az Simin
Iraq: Asghar Farhadi, 2011
Iraq: Asghar Farhadi, 2011
IMDB reference
Putting my tin hat on and full body armor... A film shouldn't have to rely on the context of its making to qualify as a true great. I can't see what all the acclaim for A SEPARATION is for. I've heard it described as a sublime thriller and a formal master class in film technique. No it isn't!
A SEPARATION is the most visually bland and narratively drab 'thriller' I can recall seeing. Puttting aside the awards campaign to get the film noticed in the West or readings of the film purely in relation to celebrating the significance of its gender politics, having seen the film for myself - I just don't think it's very good. There I said it.
The Count's Verdict: Fuck all the hullabaloo surrounding the film - awards prestige, historical context, socio-political significance. Considering A SEPARATION purely on the basis of its merits as a film, this is one of the most tedious films I've ever seen. Avoid.
Putting my tin hat on and full body armor... A film shouldn't have to rely on the context of its making to qualify as a true great. I can't see what all the acclaim for A SEPARATION is for. I've heard it described as a sublime thriller and a formal master class in film technique. No it isn't!
A SEPARATION is the most visually bland and narratively drab 'thriller' I can recall seeing. Puttting aside the awards campaign to get the film noticed in the West or readings of the film purely in relation to celebrating the significance of its gender politics, having seen the film for myself - I just don't think it's very good. There I said it.
The Count's Verdict: Fuck all the hullabaloo surrounding the film - awards prestige, historical context, socio-political significance. Considering A SEPARATION purely on the basis of its merits as a film, this is one of the most tedious films I've ever seen. Avoid.
Labels:
2011 (UK ) Releases,
Film,
iPad,
Reviews,
Screening Log
Monday, 6 February 2012
MONEYBALL ***½
USA: Bennett Miller, 2011
IMDB reference
Didn't blow me away like it has many but still a fine sports film with a cracking script. Pitt was solid in lead and well supported by Jonah Hill and Philip Seymour Hoffman.
The Count's Verdict: Worth a watch whether you're into baseball or otherwise due to fine cast in a well written drama.
IMDB reference
Didn't blow me away like it has many but still a fine sports film with a cracking script. Pitt was solid in lead and well supported by Jonah Hill and Philip Seymour Hoffman.
The Count's Verdict: Worth a watch whether you're into baseball or otherwise due to fine cast in a well written drama.
Labels:
2011 (UK ) Releases,
Film,
iPad,
Reviews,
Screening Log
INCENDIES ****
Canada/France: Denis Villeneuve, 2010
IMDB reference
A complicated political discourse is conveyed and commented upon through the personal history of a woman. A survivor. INCENDIES was pretty harrowing in places but remarkably well-shot and acted. The presence of Radiohead on the soundtrack was a surprise I must say but worked well with images.
The Count's Verdict: Strong themes, committed performances, impressive photography, interesting use of score and a plot with a sting in its tail all combine for a difficult but powerful watch.
IMDB reference
A complicated political discourse is conveyed and commented upon through the personal history of a woman. A survivor. INCENDIES was pretty harrowing in places but remarkably well-shot and acted. The presence of Radiohead on the soundtrack was a surprise I must say but worked well with images.
The Count's Verdict: Strong themes, committed performances, impressive photography, interesting use of score and a plot with a sting in its tail all combine for a difficult but powerful watch.
Labels:
2011 (UK ) Releases,
Film,
iPad,
Reviews,
Screening Log
Tuesday, 31 January 2012
TINKER TAILOR SOLDIER SPY ***½
France/UK/Germany: Tomas Alfredson, 2011
IMDB reference
Tomas Alfredson's TINKER TAILOR SOLDIER SPY is meticulous in direction, acting, photography but equally brilliant, baffling & bland in plot.
I certainly feel I would benefit from reading the original novel and perhaps even watching the BBC Drama series before revisiting TINKER for a rewatch. Surely, I'm missing something as it makes for largely ambivalent viewing or is it just not as good as everyone makes out?
The Count's Verdict: There's plenty of talent on display both in front and behind the camera but be warned the film doesn't serve up its treasures easily and you may find it leaves you empty handed.
IMDB reference
Tomas Alfredson's TINKER TAILOR SOLDIER SPY is meticulous in direction, acting, photography but equally brilliant, baffling & bland in plot.
I certainly feel I would benefit from reading the original novel and perhaps even watching the BBC Drama series before revisiting TINKER for a rewatch. Surely, I'm missing something as it makes for largely ambivalent viewing or is it just not as good as everyone makes out?
The Count's Verdict: There's plenty of talent on display both in front and behind the camera but be warned the film doesn't serve up its treasures easily and you may find it leaves you empty handed.
Labels:
2011 (UK ) Releases,
Blu-Ray,
Film,
Reviews,
Screening Log
Friday, 30 December 2011
Thursday, 29 December 2011
TUCKER AND DALE VS EVIL ***½
USA/Canada: Eli Craig, 2010
Labels:
2011 (UK ) Releases,
Film,
FrightFest 2011,
Screening Log
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