Canada: Bob Clark, 1974
IMDB reference
Saturday, 31 December 2011
Friday, 30 December 2011
Thursday, 29 December 2011
Wednesday, 28 December 2011
AMERICAN HORROR STORY - SEASON 1 (8/10)
USA: Various Directors, 2011 (Created by Ryan Murphy and Brad Falchuk)
Tuesday, 27 December 2011
THE GIRL WITH THE DRAGON TATTOO ****½
USA/Sweden/UK/Germany: David Fincher, 2011
David Fincher's THE GIRL WITH THE DRAGON TATTOO provides a fascinating re-adaptation of the original source novel which both retains and changes the plot to make the material its own. Crucially, Fincher's version (like the Niels Arden Oplev Swedish film adaptation before it) stands on its own terms as a gripping and compelling crime thriller that makes over zealous anxiety around which version (novel, Swedish or Anglicised film adaptation) is the definitive one, largely academic.
The biggest problem Fincher's film has is the inherent one of being an English language film set adrift in the Swedish backdrop of Stieg Larsson's bestselling book. This is particularly noticeable in Daniel Craig's performance as Mikael Blomkvist. Fine actor he may be but hearing Craig deliver his lines in an unaffected English accent atop of a smorgasbord of faux Scandinavian dialects is unquestionably jarring and a flaw that I'm not convinced the film ever fully recovers from. Although it should be noted cast members such as Christopher Plummer (Henrik Vanger), Robin Wright (Erica Berger) and most emphatically Rooney Mara (Lisbeth Salander) are note perfect no matter the language.
However, despite being a huge fan of Larsson's novel and the original Swedish film adaptation I went into this film with an open mind and fortunately there is plenty to be impressed by. The opening credit sequence - despite being a separate entity from the aesthetic of the film - is an awesome display of Fincher's audio/visual sensibilities and acts as a mission statement that distinguishes this version of THE GIRL WITH THE DRAGON TATTOO from any other. Yes this film has a noticeably bigger budget, it has a more distinct style, more technical depth than its Swedish counter-part but the greatest success of Fincher's film is its combination of a confident script by Steven Zaillian anchored around Rooney Mara's fresh portrayal of Lisbeth Salander.
The titular 'girl with the dragon tattoo' is undeniably the most interesting and well realised aspect of Larsson's fiction but that makes for no guarantee of an equally mesmerising vision on screen. Just as Noomi Rapace's inimitable 'Lisbeth' performance elevated the Swedish film and its two sequels, if Mara had faltered it would have sunk Fincher's film. Thankfully, unequivocally, she delivered with a different but no less iconic representation of Lisbeth Salander faithful in spirit to the character on the page. Moreover, Fincher's tender, nay more romantic handling of the Blomkvist and Salander relationship on screen is far closer to how I imagined it as written in the novel. The disappearance of Harriet Vanger and this unlikely duo's investigation into the circumstances surrounding it were always the framing plot device of THE GIRL WITH THE DRAGON TATTOO (in all its variations). The true core of this story plays out in the slow, conflictory and ultimately doomed friendship that Lisbeth forms with Mikael. That Fincher recognises this and allows it to gradually but surely come to the fore is this film's enduring strength.
The Count's Verdict: Have no fear - this 'Hollywood' retelling of a now familiar literary phenomenon can co-exist with both book and Swedish film without prejudice. Indeed, it adds to the entertaining and enthralling story that is THE GIRL WITH THE DRAGON TATTOO.
The biggest problem Fincher's film has is the inherent one of being an English language film set adrift in the Swedish backdrop of Stieg Larsson's bestselling book. This is particularly noticeable in Daniel Craig's performance as Mikael Blomkvist. Fine actor he may be but hearing Craig deliver his lines in an unaffected English accent atop of a smorgasbord of faux Scandinavian dialects is unquestionably jarring and a flaw that I'm not convinced the film ever fully recovers from. Although it should be noted cast members such as Christopher Plummer (Henrik Vanger), Robin Wright (Erica Berger) and most emphatically Rooney Mara (Lisbeth Salander) are note perfect no matter the language.
However, despite being a huge fan of Larsson's novel and the original Swedish film adaptation I went into this film with an open mind and fortunately there is plenty to be impressed by. The opening credit sequence - despite being a separate entity from the aesthetic of the film - is an awesome display of Fincher's audio/visual sensibilities and acts as a mission statement that distinguishes this version of THE GIRL WITH THE DRAGON TATTOO from any other. Yes this film has a noticeably bigger budget, it has a more distinct style, more technical depth than its Swedish counter-part but the greatest success of Fincher's film is its combination of a confident script by Steven Zaillian anchored around Rooney Mara's fresh portrayal of Lisbeth Salander.
The titular 'girl with the dragon tattoo' is undeniably the most interesting and well realised aspect of Larsson's fiction but that makes for no guarantee of an equally mesmerising vision on screen. Just as Noomi Rapace's inimitable 'Lisbeth' performance elevated the Swedish film and its two sequels, if Mara had faltered it would have sunk Fincher's film. Thankfully, unequivocally, she delivered with a different but no less iconic representation of Lisbeth Salander faithful in spirit to the character on the page. Moreover, Fincher's tender, nay more romantic handling of the Blomkvist and Salander relationship on screen is far closer to how I imagined it as written in the novel. The disappearance of Harriet Vanger and this unlikely duo's investigation into the circumstances surrounding it were always the framing plot device of THE GIRL WITH THE DRAGON TATTOO (in all its variations). The true core of this story plays out in the slow, conflictory and ultimately doomed friendship that Lisbeth forms with Mikael. That Fincher recognises this and allows it to gradually but surely come to the fore is this film's enduring strength.
The Count's Verdict: Have no fear - this 'Hollywood' retelling of a now familiar literary phenomenon can co-exist with both book and Swedish film without prejudice. Indeed, it adds to the entertaining and enthralling story that is THE GIRL WITH THE DRAGON TATTOO.
Monday, 26 December 2011
Sunday, 25 December 2011
CHRISTMAS 2011 SWAG!
Much to my surprise and joy Daddy got spoilt just as much as baby H this Xmas. So far my haul has included Stephen Thrower's mighty tome 'Nightmare USA', Jamie Russell's 'The Book of the Dead, 'Frost/Nixon' and the biography of 'Scream Queen' Jamie Lee Curtis. I've also been fortunate enough to receive a stack of BDs: TOY STORY, TOY STORY 2, MONSTERS INC., TANGLED, RIO, HOW TO TRAIN YOUR DRAGON, SUPER 8, X-MEN: FIRST CLASS, BRIDESMAIDS, KILL LIST and the glorious BBC Natural History documentary FROZEN PLANET.
Saturday, 24 December 2011
HUMONGOUS **½
Canada: Paul Lynch, 1982IMDB reference
Even watching this on a fuzzy VHS copy the opening scene was pretty damn grim. Luckily the dumb teens soon arrive featuring a cast/plot which smacks of a fun 'Scooby-Doo' vibe & the film has some suitably cheesy 80s paraphernalia & fashions.
However, ultimately it's all a bit meh. The incredibly dark & rough VHS image transfer can't of helped matters. The audio in particular is very poor on the version I watched. Even so despite the shortcomings of the audio/visual presentation there's no denying the fun to be had with the wooden acting!
The Count's Verdict: In desperate need of a DVD release to aid shoddy audio-visual presentation but no matter how good it looked or sounded this is a pretty silly and forgettable slasher.
MOVIE MATTERS PODCAST - EP13 'CHRISTMAS 2011 SPECIAL - TELL NO ONE & IN BRUGES'
The Movie Matters podcast returns for its final episode of 2011. In this special Christmas instalment, co-hosts Lee Howard and Michael Mackenzie exchange gifts, casting an eye on French actor turned filmmaker Guillaume Canet's adaptation of American crime author Harlan Coben's TELL NO ONE (NE LE DIS À PERSONNE) and Martin McDonagh's celebrated black comedy IN BRUGES, starring Colin Farrell and Brendan Gleeson. Upcoming DVD and Blu-ray releases of note are also covered, and another Blu-ray Disc enters the Movie Matters Hall of Fame.
The music sampled in this episode is from IL DULCI JUBILO, NATIONAL LAMPOON'S CHRISTMAS VACATION, TELL NO-ONE, SCROOGED, HOME ALONE 2: LOST IN NEW YORK and THE NIGHTMARE BEFORE CHRISTMAS.
Created by Lee Howard & Michael Mackenzie
Thursday, 22 December 2011
Wednesday, 21 December 2011
Tuesday, 20 December 2011
HUGO 3D ***½
USA: Martin Scorsese, 2011IMDB reference
I was slightly underwhelmed by HUGO. Not enough film history to satisfy an adult enthusiast nor exciting enough to entertain a child. The much lauded 3D aided the visual spectacle of the film but was by no means essential. Don't get me wrong, there was plenty to enjoy, especially technically, in HUGO but I felt it lagged in pacing and the narrative felt uneven with rather forced vignettes of humour.
So, much to my surprise, a Scorsese pic won't make my Top 10 of 2011. In fact, as divisive a film as last year's SHUTTER ISLAND was I undoubtedly prefer it to HUGO.
The Count's Verdict: Go see it, enjoy it - just beware the hype as no matter what they say HUGO doesn't demonstrably vindicate the need for 3D or hold a candle to Scorsese's best work.
Monday, 19 December 2011
DEXTER - SEASON 6 (8/10)
USA: Various Directors, 2011 (Developed by James Manos Jr. and created by Jeff Lindsay)IMDB reference
As watchable as ever, hence the generous 8/10 rating, but in actuality this has proved to be the weakest season of DEXTER so far. This season's theme of religion used to underpin the murder plot was ultimately empty and long out stayed its welcome. Plus the later 'romantic' developments with Deb were nothing short of insulting. The season 6 Finale proved a mixed bag too with the dark potential of the final confrontation between Dexter and Travis being very anticlimatic. However, the season ended with a much needed final reveal which promises much for season 7.
Thankfully, Michael C. Hall's portrayal of the titular character is as strong as ever and the resonate subplot exploring a father and son relationship (Harry & Dexter/ Dexter & Harrison) continues to emerge as the show's true heart.
Sunday, 18 December 2011
Thursday, 15 December 2011
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